Share This StoryFacebookTwitteremailPrintLinkedinRedditThe Latest on the effects of the coronavirus outbreak on sports around the world:___The Milwaukee Brewers have canceled their 2021 Brewers On Deck event, an annual January showcase that allows thousands of fans to meet current and former players and coaches in a convention hall. The NCAA this week announced it would not conduct championship events in sports where at least 50% percent of the participating schools do not play a fall regular season. Unless Pioneer League schools pursue a football season as independents, the number of FCS schools that have canceled fall football is 68 out of 127.The Big Sky was also expected to announce soon whether it will play in the fall.___The Southeastern Conference will require football players and others in direct contact with the program to be tested at least twice weekly during the season.The league on Friday released its initial COVID-19 requirements for fall sports, including football. In football, the testing will typically come six days and three days before competition. The Brewers said that the decision was made with “the health and safety of the community in mind.”“It’s impossible to know at this time what restrictions may be in place that would require a different footprint or format for Brewers On Deck in January,” Brewers president of business operations Rick Schlesinger said in a statement. “It takes many months of lead time for our staff to plan and execute the event, and with so many uncertainties we unfortunately have to make this decision now.”___The Pioneer League will not play a fall football schedule, a decision that likely means there will be no FCS playoffs this season.The 11-team Pioneer League spans from the Midwest to the West Coast. The conference said in a statement the challenges related to team travel, meeting state, local and institutional health requirements and COVID-19 mitigation strategies led to the decision. The Pioneer League said it would consider playing a football season at another point in the school year if feasible. August 7, 2020 The Latest: Brewers cancel January fan event What did cricket fans do when there was no live games to watch during lockdown in the coronavirus pandemic?Watched replays. Lots of replays.The International Cricket Council released figures Friday showing it had 1.65 billion video views on its Facebook channel in the first half of 2020, saying it “topped the rankings in terms of video consumption among leading sports bodies” on the social media platform.Cricket was shuttered globally from late March until last month, when host England beat West Indies 2-1 in a three-test series that was played inside bio-secure venues in Southampton and Manchester.The ICC, citing statistics from the CrowdTangle analytics tool, said daily video consumption on its Facebook page increased from 3 million minutes viewed to 15 million minutes per day during the lockdown. Coaches, staff and other personnel will be required to wear face coverings on the sidelines at sporting events this fall.The initial guidelines include testing requirements, procedures for infections and contact tracing and protocols for quarantine and isolation. The rules, which also apply to volleyball and soccer, were recommended by the SEC’s Return to Activity and Medical Guidance Task Force.The league expects the task force to release another report by Aug. 31.___ The Detroit Lions are preparing to host fans at all eight regular-season home games, although it’s uncertain how many will be allowed to attend.The NFL club said Friday season-ticket holders can opt out of purchasing tickets for the 2020 season if they want. The team also is offering various incentives for fans who defer payments to the 2021 season instead of asking for refunds.Fans and employees at Ford Field would be required to wear face coverings. Designated gates and entry times would be assigned to fans.The team says the ability to host fans at a reduced capacity depends on local and state approval.___ Associated Press “At a time when COVID-19 has severely impacted live sports, the ICC’s channels have gone from strength to strength,” the ICC said in a statement.Cricket hit some highs in terms of viewership over the 12 months to June, including the 1.1 billion views for the Women’s Twenty20 World Cup in Australia in February and March.Online traffic from India helped. The final between Australia and India, which attracted a crowd of more than 86,000 at the Melbourne Cricket Ground, set a single-day record for women’s tournament with 64.9 million views on the ICC Facebook page.___More AP sports: https://apnews.com/apf-sports and https://twitter.com/AP_Sports
While today, C.K. certainly isn’t the cultural force he was a decade ago, his success certainly reflected a change in mainstream preferences for dirtier, more extreme material. Even wildly popular “family” comedians like Kevin Hart and Gabriel Iglesias have plenty of vulgar or “blue” material at their disposal. Today, it’s especially impossible to imagine a “clean” comic like Bill Cosby having the kind of massive success that he did in the ’60s or ’70s. Although, if we’re being honest, there are much better reasons for that than just his material. Since then, mainstream comedy has only gotten darker and darker. Louis C.K. was probably the most respected and prominent voice in comedy of this century. Yet, his material was almost exclusively dark and taboo. Critics and audiences adored him because he was so open and hilarious about the things we all think about but are too afraid to openly discuss. We trusted him to be someone who wouldn’t actually act upon them, too. His credibility was lost once audiences learned about accusations of sexual misconduct that surfaced in 2017, at the height of the #MeToo and #TimesUp movements. Yet, while “The Sopranos” had fantastic comedic writing and funny moments in each episode, the groundbreaking series was a drama through and through. Still, the series’ widespread critical and commercial success opened the door for so many genre-defying series that remain popular today. Well, what happens when the lines between light and dark are blurred? Sometimes I’d laugh my ass off at Anthony Jeselnik clips and my friend would mutter a passing comment that Jeselnik had “maddd dark Air Force 1 energy, dude.” But if Jeselnik was so dark and evil, why did he bring me so much joy? Is there something wrong with me for liking it? When one looks at the “Outstanding Drama Series” nominees from the 2010s Emmys, many of the shows — including “Orange Is The New Black,” “Better Call Saul,” “Succession” and “Killing Eve” — have much more in common with dark comedies than traditional dramas like “The West Wing” or “Dallas.” The inverse is also true for recent “Outstanding Comedy Series” nominees — including “Fleabag,” “Barry,” “Russian Doll” and “Atlanta” — which are infinitely darker and more serious than “The Office” or “Two and a Half Men” from just 10 years ago. The youth have especially gone dark too. Go to any USC open mic (well, maybe next year), and I guarantee you at least half of the performances will consist of jokes about anxiety and depression. In fact, it’s fascinating to think that joking about one’s mental health has become so commonplace that it could be considered a hack at this point. As well, some of the most widely circulated TikToks during the coronavirus pandemic have come from an elementary school-aged kid with a drop-dead hilarious penchant for gallows humor. What does all this mean? Audiences are demanding more nuance and risk than ever, and it’s made for way better television. Dramas have never been funnier and comedies have never been more serious. Creatives trust audiences to know the difference between right and wrong. They trust audiences to be smart enough to not look at a film or television show to learn how to behave in real life. They know audiences consume art to feel a sense of comfort or solidarity in their own flawed humanity. Real life is complicated and our entertainment should be as well. (Katie Zhao | Daily Trojan) The one exception to this dark and dirty rule is the massive success of John Mulaney. Still, to be fair, “Big Mouth” is one of the funniest shows about adolescent taboos, and it’s the brainchild of Mulaney and fellow comic Nick Kroll. Truthfully, the differences between light and dark are not so obvious. If we’re going by the previous descriptions of light and dark, that friend eventually proved to be dark Air Force 1 energy masquerading as white Air Force 1 energy, judging by his questionable actions rather than the things he would say (i.e. lies, manipulation, selfish behavior — you get the picture). This metaphor is probably a bit outlandish, so I will cease the comparison. Still, this binary of light and dark fascinated me, and the lines have only gotten more blurred in terms of the entertainment we consume and enjoy. With television, a show like “The Sopranos” was so groundbreaking because no show had ever before challenged genre conventions or audiences’ notions of good and bad. The main characters were deeply flawed (to say the very least), wildly entertaining and surprisingly likable. Never before were audiences so inclined to empathize with characters as objectively awful as the Soprano family. It didn’t matter that Tony Soprano was a mob boss. He could’ve been an attorney or a plumber — the themes and lessons would still be the same. A former friend of mine used to joke about people having “white” and “dark” Air Force 1 energies, in reference to the popular Nike shoes worn by sorority girls, drug dealers and NFL owners alike. Seemingly wholesome, good and nonthreatening people have white Air Force 1 energy; those who seem shifty, untrustworthy and questionably evil have dark. Easy enough of a concept to grasp, right? For years, television and film programming were more explicit in their definitions of light and dark, good and evil, moral and immoral. The good cowboys wore white hats and the bad cowboys wore black hats. The “bad guys” talked about death and despair, while the good guys talked about justice and righteousness. Comedy’s most celebrated voices were often light, silly and clean in their material, while the less-respected comics resorted to coarse, vulgar and taboo subjects in their work. Matthew Philips is a senior writing comedy. He is also the wellness & outreach director for the Daily Trojan. His column, “Waiting for the Punchline,” typically runs every other Thursday.